Document Type : Research Paper
Author
faculty member urib
Abstract
Exposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious ArtExposure of the Siegfried Kracauer and Roger Scruton Theories in Essence of the Representation of the Film with Appraoch to the Theory of Imagination in the Philosophy of Religious Art
Keywords
منابع فارسی:
ــ ابن‌عربی، محی‌الدین. (1399). الفتوحات المکیه. تصحیح: عثمان یحیی، قاهره: الهیه المصریه العامه لکتاب.
. ــ رازی، فخرالدین محمد. (1383). شرح الاشارات و التنبیهات ابن‌سینا. مقدمه و تحقیق: علیرضا نجف زاده، تهران: انجمن آثار و مفاخر فرهنگی.
ــ شبستری، شیخ محمود. (1376). گلشن راز. تصحیح: پرویز عباسی داکانی، تهران: الهام
ــ طوسی، خواجه‌نصیرالدین محمد بن محمد بن حسن. (1375). شرح الاشارات و التنبیهات ابن‌سینا. قم: نشر البلاغه.
ــ معتمدی، احمدرضا. (1393). فلسفه فیلم؛ بررسی تحلیلی و انتقادی نظریه‌های فیلم دوران کلاسیک. جلد اول، تهران: سازمان انتشارات پژوهشگاه فرهنگ و اندیشه اسلامی.
منابع انگلیسی:
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